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Tianzhuo Chen, Trance

Attempts to write about the art of Tianzhuo Chen are bound to fail. They end in a buzzword thunderstorm that sounds something like this: pan-asian-shamanic-hyper-digital-queer-performance-ritual. A lot of labels trying to describe what you have to have experienced. Because Chen’s performances have a critical element: ourselves. So, instead of staying with the habitus of the […]

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“ce que je fus je l’ai quitté”

by Joshua Ezechiel and Julius Rueckert Not everyone is born with the courage to change. While some are gasping for change and can hardly stand still to endure the here and now, others remain in acute stagnation for decades or even a lifetime. Everyone is aware that the living conditions as well as the location […]

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Mixtape 99 by Bloomfeld

    Brain Can Dance Learn everything you need to know about October’s mixtape artist and Overthinker Mob’s head creative Bloomfeld in five bullet points.

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Mixtape 96 by Coco Cobra

    Soft Spot for Core Values “You need to build a lot of things from scratch. That’s why I really appreciate a lot of people here doing their work.” That’s how Coco Cobra describes what she values about living and working in Hanover, one of Germany’s smaller cultural bubbles. Seriously kicking things off with […]

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Mixtape 94 by Dangermami

Nothing but Bangers Dangermami is one of those rising stars of the scene who started DJing during lockdown. In 2020, she bought her first second hand decks: 850 CDJs with a screen that was ‘kind of a nightmare’ as she explains to us. But when the going gets tough the tough get going, right? So […]

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AXEL vs CLEPTO

Ashus in Cleptomanicx by The Real Tim Bruening — This is Axel aka Ashus in their not so classic interpretation of the Cleptomanicx “Ligull” basics. For this exquisite streetwear feature we asked the queer and fashion-savvy musician and sex worker to create their own outfits from a selection of casual garments with the notorious seagull […]

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Johannes Sturm —
I Been Here For Years

One observes the city burning out over the years. In his first solo exhibition I Been Here For Years, Johannes Sturm comments on the decay of a subculture. Gradually, bars, clubs, and socio-cultural destinations are disappearing. Prohibitions and restrictions are stifling the nightlife. Yet creativity feeds off the nocturnal magic.

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