We are delighted to present you outtakes of DSTM‘s spring/summer 2016 campaign by Maxime Ballesteros. Our fellow Berlin-based label’s head designer Jen Gilpin and Maxime helped us shape TISSUE’s look over the last five issues.
Kinky Jess is a sexcam girl. And besides that a source of inspiration for French photographer Romain Brunet‘s newest project Get Hundreds of Free Credits With Our Special Offers.
Since the second edition of TISSUE magazine, we consider ourselves lucky to be able to call Martin Eder a constant collaborator. When we first met him for an interview for N°2 we got a detailed and intimate insight into his working methods and his accompanying thoughts. For N°5 it was Eder’s breathtaking image of model […]
What happens when you take a brand like Ralph Lauren out of context? What if its idea of a rich, successful and white American Dream encounters rough and minimalistic fashion photography? Belgian artist and photographer Ulrike Biets brings two completely different fashion subworlds together, trying to find out whether the brand’s image would also work […]
Photographer Kevin Schulzbus spent seven days following traces of one of the most notorious apparitions of Berlin streets: a phenomenon affiliated to the letters S-P-A-I-R.
Our Creative director Uwe went ‘head over heels’ when Mike Meiré offered to submit some of his works to TISSUE Magazine N°2.
For one of their latest stories, Sofie Middernacht and Maarten Alexander partly abandon their more commercial background and apply what they call a rather techniqual approach to their work.
Besides her fashion it is the dedication to art that makes Ayzit Bostan one of Germany’s coolest fashion designers.
Delmes & Zander kick off the beginning of a new year with some face-value-fun yet seemingly harrowing work by Wesley Willis. The musician-come-artist is an interesting specimen.
Modern digital post internet art, or what ever names could apply to describe the genre, is often on the verge of being tacky, as approaches and motifs seem repetitive and uninspired nowadays. The works of Tim Berresheim are a refreshing exception to the usual feeling of having seen things before.
