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April 7th, 2020,

Magazine Masters —
Claire Milbrath of Editorial Magazine

IT’S JULY 2019 AND IT’S VERY HOT. TISSUE MAGAZINE CALLS CLAIRE MILBRATH FROM THE ROOF OF SCHLOSS ISENBURG, THE OLD CASTLE ON THE CAMPUS OF THE UNIVERSITY OF ART & DESIGN IN OFFENBACH. WHICH IN ITSELF IS ODD: USUALLY TISSUE’S EDITORIAL ACTIVITIES ARE CONFINED TO THE APARTMENT-COME-OFFICE OF TISSUE’S EDITOR-IN-CHIEF. SOMETHING THAT CLAIRE HERSELF IS USED TO: SHE HAS BEEN RUNNING EDITORIAL MAGAZINE FROM HER BEDROOM IN MONTREAL FOR YEARS. BUT THAT’S JUST THE NEW NORMAL: AS THE MAGAZINE’S EDITOR-IN-CHIEF, WHO IS ALSO MAKING A CAREER AS A PAINTER, CLAIRE SAYS SHE NEVER REALLY TAKES MEETINGS IN PERSON ANYWAY.

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February 18th, 2020,

A Story About the People Who Taught Me How to Grieve

I want to tell you guys a story about the different people I met this past year. I want people to feel the same emotions I did in an attempt to make you guys understand a concept which can be very difficult to grasp. Read more

February 9th, 2020,

Chihiro Lia Ottsu
‘Commemorative Photograph‘
記念写真

Staying in touch with one’s family is often hard. Even the strongest memories can prove to be false. So why not just take perfectly set-up family portraits and misconstrue them actively by yourself? You can’t put your arms around a memory. Read more

November 19th, 2019,

But in the Meta town no.

also I like to experiment with society’s ‘wrongness’, I came to realise the word stigmatization could be a powerful tool, yet to me this stigma, if any, is good as it is. Also taboos, if any, are placed rightly as they are. Otherwise, it would cease to be it without them, in which case probably I would not be interested in. I think. But there is way more. Read more

November 11th, 2019,

The Fiasco of West Germany —
a Kaffeefahrt to Bitburg

The „homeland“ is hip again! Set the table with Rosenthal tableware, place yourself in the cantilever chair an take a good gulp of the splendid Dallmayr Prodomo coffee, because: 30 years after the fall of Berlin’s wall the cultural industry invites for a festival week to celebrate the peaceful revolution — and commands partying, remembering, debating and participation. While the capital is turned into a jolly open-air exhibition and event space, the Galerie Anton Janizewski announces a different kind of spectacle: the funeral of the Bonn republic. Read more

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