Fabian Fenk (The/Das) and Kieran Behan (crystalmafia) join forces after previous music video collaborations. For Somebody Is, the musician and filmmaker spent two weeks living inside a van moving up and down the coast of California and interacting with the homeless, witnessing and capturing their daily experiences and personal stories. Watch the video below.
This car I bought in Fortsmith, Arkansas
and then I drove it down to Texas
I drove it down to Northern California last year
and then lived up there for a little while
and I couldn’t afford a place to live, like at all
I was hella sick too
and could not afford a place to live
so I lived in a little bitty travel trailer
all we really have to pay for is gas
our food is taken care of with food stamps
we camp for free!
I was always trying to compete with the big guys
but they always beat me up
they always left me dry.
I do fifty in one hand… I do a hundred.
The police call me Tony Montana.
I can run 10 blocks backwards right
and I can run here to Fisherman’s Wharf
Me and my son’s mother had a falling out
and she kidnapped my son basically
and took off with him
and I wanna go back home to Memphis, Tennessee
with my daughter who’s 18 and just had my first grandson
so I’m very eager to get back home to her.
But no we camped um.. in Cloverdale
we went out to this Lake Sonoma
but.. like.. because
we’ve been traveling so long we don’t even know what day it is
what time it is, you know, or anything
so it was like, labor day and then all the campgrounds were full
so we just ended up camping on the side of a vineyard
and then we went to the RV park in Cloverdale
god we’ve been in crazy places…
And you see, I got a job right there in Goodwill
to work, instead of getting a check from the government
saying that you’re disability.
And you know the little money I get every month, it’s gone.
and everybody’s like ‘How come you never have anything?’
Well I have three kids I need that money!
The gratitude attitude involves
thanking everything that is in your life
including the negatives.
What does that mean?
That means that when a tragedy happens
someone dies, divorce occurs
job changes, relationship, housing is upset
all those things
we thank god for it
thank god because something even better is on the way
as we know the angels are taking care of us.
We run way over there
I get tired, they come back
they take my money out of my pocket.
And then they say ‘Come on man we gonna buy a beer’
and when I finally get over there they’re drinking the beer
You’re not allowed to fly an airplane over the facility
because they are a government contractor.
They make things that go “ka-boom”
They had a cancer cluster up there.
Now, at the same time they had a cancer cluster up there
I had a tumor in my sinus
nine- tenths the size of my sinus.
My dog got the same kind of a tumor
only it killed her.
Thank the angels for all the good they are bringing into your life
an angelic reflection.
I continually pause in gratefulness for the amazing process of life.
But look at the art!
See the art on the wall?
You have to see the faces. They’re angels.
These are people of modern Law.
But the land wither ye go to possess it
is a land of hills and valleys
and drinketh the water of the rain of heaven.
Around the world, the homeless are treated as invisibles and go unseen. The media blackout on their plight is tremendous. Their existence is ignored by most passersby. They are dehumanized, and in our apathy, so are we.
Visibility, dialogue, and acknowledgment shift perspective from apathy to empathy and dignity. In feeling for each other we reawaken to our shared humanity, and remember that we all have a role to play in the cause of social change.
Change is systematic. We must protest peacefully through art, culture, and expression – by choosing to feel, hear, and see.
“Music, and song, we suggest, can maintain a movement even when it no longer has a visible presence in the form of organizations, leaders, and demonstrations, and can be a vital force in preparing the emergence of a new movement. Here the role and place of music needs to be interpreted through a broader framework in which tradition and ritual are understood as processes of identity and identification, as encoded and embodied forms of collective meaning and memory.”
Ron Eyerman and Andrew Jamison, in Music and Social Movements: Mobilizing Tradition in the Twentieth Century (1998)
Behind-the-scene polaroids shot on Impossible Project film:
Words by Kieran Behan
Video: crystalmafia and The/Das
Filmed & directed by Kieran Behan
Edited by Robin Thompson
Color graded by Bowcouleur