Interview with Mari Sakurai [Mixtape 76 – June 2020] with a short questionnaire by Nadja Preyer, snapshots by Uwe Bermeitinger and the fine visuals by Yis Kid finally up tissuemagazine.com/multimedia/mixtape-76-by-mari-sakurai/
We mashed up 1 hour of hardcore vibezzz from Tokyo mixed by Mari Sakurai with the visual essay by Yis Kid from UK.
“I’m not very good at English, so I think there are some places where I couldn’t answer well.“ Dear reader, do the math: if Mari Sakurai was 15 years old when she was clubbing for the first time and she’s djing since six years, how old is she now? Exactly, we don’t know and Mari […]
Mixtape 76 by MARI SAKURAI premiering 9 June 2020 11-12pm (UTC+1) on https://www.radio80k.de Cover 4/4: “Blue, honesty” by Yis Kid Visual essay up here: https://tissuemagazine.com/story/yis-kid-4-colours/
Mixtape 76 by MARI SAKURAI premiering 9 June 2020 11-12pm (UTC+1) on https://www.radio80k.de Cover 3/4: “Violet, mysticism” by Yis Kid Visual essay up here: https://tissuemagazine.com/story/yis-kid-4-colours/
Mixtape 76 by MARI SAKURAI premiering 9 June 2020 11-12pm (UTC+1) on https://www.radio80k.de Cover 2/4: “Yellow, energy” by Yis Kid Visual essay up here: https://tissuemagazine.com/story/yis-kid-4-colours/
Mixtape 76 by MARI SAKURAI premiering 9 June 2020 11-12pm (UTC+1) on https://www.radio80k.de Cover 1/4: “Red, rebellion” by Yis Kid Visual essay up here: https://tissuemagazine.com/story/yis-kid-4-colours/
‘LIFE IS FEELING, FEELING IS AN IMPULSE, PHOTOGRAPHY IS AN IMPULSE, IMPULSE IS AGGRESSIVE, AGGRESSION IS A FEELING. RED, REBELLION. YELLOW, ENERGY. VIOLET MYSTICISM. BLUE, HONESTY.’ We don’t know much about this person called Yis Kid. We saw enough to be proudly sharing this piece of work with you. Go and perceive the visual essay […]
OVERLOOKING COMPLEX SOCIAL LANDSCAPE, SEARCHING FOR ORDER WITHIN THE CHAOS. KIND OF SNAPSHOTS TRANSGRESSING RULES OF BEAUTY, BY FOCUSING ON COLOUR AND FORM. MY SUBJECTS ARE BANAL, I’M INTERESTED IN ALL, I’M INTERESTED IN NOTHING. I SHOW URBAN LIFE AS IT IS THROUGH MY WORKING CLASS EYES; I CAN’T SEE IN GOLD AND VELVET. THE […]
