Martin Eder’s series Martyrium depicts naked artists and actors posing in different ways which connect to the notion of zeitgeist as well as to art history. In the commonplace these concepts are hardly seen as intertwined. But often noticed as only loosely connected, they share a dialectic entanglement that should not be overlooked.
Martin Eder has made a name for himself as a painter of brightly colored cat and lolita motifs. When he trades his brush and canvas for a camera to produce standalone photographs, his vocabulary becomes a lot darker. For TISSUE N°2 Hans Bussert met a humble man who only temporarily let his mischievous side — […]
Martin Eder has made a name for himself as a painter of brightly colored cat and lolita motifs. When he trades his brush and canvas for a camera to produce standalone photographs, his vocabulary becomes a lot darker: worn-out, sometimes even physically scarred women expose themselves to the limit of what seems bearable. Sex is […]
